Lets go over your list about what I supposedly didn’t include, and maybe why I didn’t include it:

First off, apart from “broadcast packages”, I’d say that I’ve pretty much covered your list. If you cared to do a smidgen of research (all but 5 minutes of research) you would know this.

Let’s look at Else Mobile by Rob Chiu. There’s your commercial. But let’s not forget Infinity by Wow. If you actually did watch that whole video, you would notice that is a commercial for Citizen watches.

Now let’s move on to your film title sequences complaint… I didn’t include those, because personally, I’m tired of seeing that type of work get featured all the time. I thought instead that I would diversify my selection, by trying to steer away from the mainstream. I did, however, include title sequences to OFFF. One by Prologue, and another by Onesize, both of which are extremely well executed, but bare no similarities, (with the exception of type. But since it’s a title sequence, I can’t imagine any other way for them to convey that integral ingredient).

I’d also like to touch on your statement about how I’ve made it look as if mograph in 2009 was dominated by relatively long-form VFX/type work. Besides Alex Roman’s T & S Teaser 2 (which includes very minimal type work in the beginning), I can only count 3 videos out of the 13 that I have here that actually include type as a dominate element.

As far as complaining about long-form VFX. Is that actually a concern of yours? You’re actually going to list that as some sort of derivative ingredient when it comes to motion graphics? Ummm… this is Fuel Your Motionography. It’s all about visual effects, cinematography, and motion graphics. I don’t even really know how to dignify that with a response, but I’ll try…

Keith Loutit’s “Bathtub IV” doesn’t even have any type at all (with the exception of the end credits), and besides using tilt-shift effect and time lapse, he utilized no “long-form VFX.”

Same with Christopher Hewitt’s “Contraction”. With the exception of the ground breaking apart into uneven grids, it’s pretty much just an experimental short film.

And did you even bother watching Florent Porta’s “Tokyo Reality” short film?

What about Inksie’s 7D test film?

Neither of those use any visual effects.

And as far as Esteban Diácono’s work of “Let Yourself Feel”… For your information, that is a music video, for Ólafur Arnalds “Ljósið” » http://foundsongs.erasedtapes.com/

Sorry if I come off as rather defensive, but your statement was rather ignorant.

Cheers ¥

- m

What about: music videos; commercials; film title sequences and broadcast packages?

keep in touch!

I’m glad that you’re interested in the mograph industry. It’s definitely a whole other world of awesome. Peace ¥ :)

@naveed

Thank you so much for the kind words. :) I’m really glad you’re inspired, and I’m really glad you enjoy the videos. Hope you have a great 2010 as well. Peace ¥

wow man amazing video collections and truly inspiring stuff

thank you so much for posting all these great video

cheers and best of luck for 2010 :)